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Random Site's Threads
» Chesky Records went &quo»
» Focal-Jmlab – the Utopia»
» In interesting new compa»
» R22
» DC offset for A/D conver»
» Additive capacitance: mi»
» Problems with horns: mid»
» About playback and messa»
» When the stars aligned.
» Do not pursue full-range»
» 3012 silicon dumping
» Musicians' ear
» How the things are getti»
» WGBH Opera Bash 2009
» Streophile show 2007 and»
» Milq: Starting the proje»
» Active Tonearm Monitorin»
» Passive transformer base»
» Copper Mat on a Micro Se»
» The unintended consequen»
» Dedicated Music Room Bui»
» "Master Quality Aut»
» SET amplifiers
» Class “D” – the industry»
» Drama vs. Chic
» Tweeters: the most misus»
» The Classical Music Caf&»
» The Art of Pablo Casals,»
» News and Events down sin»
» Integrated sound field o»
» The WHRB’s Orgies period.
» Tightening to loosening »
» Windows Based Transport:»
» Joseph Haydn, Six Esterh»
» Why David Robertson does»
» Time Alignment : Live Pe»
» To buy an SACD Player?
» Brian Cheney of VMPS
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Classical events in Boston
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Composer's Anniversaries
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My Audio Leftovers
Micro-Seiki air-suspend»
Musatex-TP Bidat 20-Bi»
Conscience of audio rev»
Hillock TV-2 tube tester
Vitavox 330Hz Horn for »
Tribute Output Amorphou»
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Fane Studio 8 dual conc»
SME M2 - 12" Tonearm wi»
Musatex’s Bidat Model "»
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